Forever

In the chatting about this project as it was born it was suggested I sell the links for a year, and then get a renewal. Immediately I thought, no, Forever! And that is the tag line promoting the links.

Significance:

All that we write in cyberspace is there forever. This project in particular has a forever flavour – paradoxically – because it will end! And then sit there like a … er, monument to… who knows what.

The quest for permanence in the prints, I have sought out the best I can find and they should last 100 years. “Longer than they will last in digital form”, I was told by the salesperson at Photo & Video. “Not if it is in the cloud.” I replied.

And I can’t help hearing that word, forever, as spoken in the Miranda July movie “You and me and everyone we know”, where incidentally I think it also has a reference to that persistence quality in cyberspace.

)) ((

Craft, wood cuts, Walter J. Phillips

Not my sketches

The Technique of the Color Wood-cut Walter J. Phillips – An amazing “How-To” – funily enough it seems that even though I “paint” and so on and use that crappy little pen on the M200, I feel close to this print tradition, with its attention to craft. There is a craft in using the PC too! This doc from 1926 is a gem.

Get a carpenter to show you how to hold the wood-carving tools; a diagram will not help you much, though I have provided one.

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Here is an example of his work:

Continue reading “Craft, wood cuts, Walter J. Phillips”

Sky

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Took this yesterday. Just as I was thinking about Landscapes – this sky turns up! Happy to be there with my camera at that moment.

I will follow up some time with inspirations from Marilynn Webb.

How can I sketch this!

Vitamin D

Vitamin D

D

Look here for a sample

I got this book when at sketch 40/1000. I wrote then, but had no time to post: “This will change things… not just this book but I am hungry and lapping up exhibitions, books, websites and conversations. My mind is bursting.”

I have been reflecting on a lot in the intro, a great overview of sketching.  I am absorbing it all. Not so over full right now, just feeling it all digest.  Become part of me.

Like sunshine.

Julia Morison exhibition in Christchurch

I have been looking at exhibitions and loving the depth revealed when we see the few works shown from many years of delving into thematic material. The Julia Morison exhibition in Christchurch at the moment is a good example.

a loop around a loop

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The title says it all, a theme of themes all linked with symbols she has been working with for years. I loved her work, and I think it is great.

My problems with the “variety” (mess I call it) in my project came up when I saw her work. Is that ok? I am, more and more, with what it is. Here my work with the psyche stands me in good stead. The psyche is messy. I am revealing my messy psyche as it unfolds. It is the exposure of it all that is unnerving, sketches are what they are, they just pop out, they are evolving. I am curious where they will take me, they are taking me!

Continue reading “Julia Morison exhibition in Christchurch”

Blacker

 

#59 Blacker

After #58 I realised I was feeling in a darker mood. I went for it with this one using the virtual pallet knife. As dark as I went there was a deep inner glow, which mirrored one I felt as well. Very reassuring.

Later: As I add this note 2 months later this one reassures me. I continue to hear from people how this is a favourite.

~

Available in a limited edition of 25 prints, pigment ink on archival paper.

This print is available exclusively through the Allen Gallery in Chelsea New York. If you would like to purchase a print please contact Michel Allen.

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See prints from the Thousand Sketches exclusive to the Allen Gallery