Exploring Ten Zen Seconds

I read this from Eric Maisel in the interview on Catherine’s Blog (read that interview):

First, the creating ought to come first each day – —thatÂ’s a big secret and a big deal. When we get to our novel at five a.m. and write for an hour, then we have made some meaning on that day and face the meaninglessness of some of our daily pursuits with much more equanimity. If, on the other hand, we spend a meaningless day and THEN try to get to our writing, we are usually both worn out mentally and drained existentially, since we have been with “too little” meaning all day long.

Well, immediately I have a few questions! Really I’d like to know the answer to this:

What if you are not a “morning person”? I get to work in the nick of time in the morning, work all day, and then create mostly at night. Not ideal! I love my work, and I love the night-shift too. Is there a better way?

Secondly and perhaps more importantly, Eric, when you say “creating ought to come first” I initially read it as creating ought to come first in your life. I don’t think you said that, but it is an interesting notion. I subscribe to it in a Joseph Campbell “follow your bliss” way. What do you think?

I will be reflecting on the TZS for the next day & emailing Eric my questions, stay tuned.

I also want to apply the method to some sketching…

If I breathe into a few of these I can see it will help!

1. (I am completely) (stopping)
2. (I expect) (nothing)
3. (I am) (doing my work)
4. (I trust) (my resources)
5. (I feel) (supported)
6. (I embrace) (this moment)
7. (I am free) (of the past)
8. (I make) (my meaning)
9. (I am open) (to joy)
10. (I am equal) (to this challenge)
11. (I am) (taking action)
12. (I return) (with strength)

One little doubt creeps in… I have done quite a few sketches while less than centred, plenty of them, from a dark place or from an agitated self. Bursting, Blacker to mention just two. These have been satisfying. My creative work centers me. I imagine you have explored this nook of the creativity phenomena Eric, and I’m interested in your comments.

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