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This print is in a limited edition of 25 Giclée prints on A4, 21 cm x 29.7 cm archival paper. The image size is 17.5 cm x 12.5 cm. The next available print is: 1/25
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Walter Logeman Art Project 2006-7
A few in a row where I do lines, following energy needs, that worked ok, but I don’t really want these abstracts right now… never mind.
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This print is in a limited edition of 25 Giclée prints on A4, 21 cm x 29.7 cm archival paper. The image size is 17.5 cm x 12.5 cm. The next available print is: 1/25
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It’s Sunday 3 December, walked round Hagley Park today – the flax is out. Spring is over – Summer is here.
Inspiration: linking to Daily Art, by Martha Collins.
Daily Art is a blog in my blogroll. There is a bit of art history everyday, todays is a Vuillard
I discover that it is part of something called Intimisme.
It ties in with how I was first introduction to Vuillard, he is the painter of the “Woman at a window sewing” on the cover of Thomas Moore’s book “Care of the Soul.”
I used that image years ago in a webpage describing Depth Psychology
I am attracted to his work, the soulfulness comes through to me in the style as much as the content. If the soul has colours & shapes – he seems to know how to make them.
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Marthas blog is worth subscribing to, thanks Martha.
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I am putting inspirational images behind a More tag, so as not to confuse them with my own:
I pronounced this one done. It was done quite quickly, but not really as there were a few goes that took a lot longer, but which I deleted. The speed seems to give it more character & freedom. It is in two pencil settings – one with just the point, the other with the largest possible he”angle” simulating a pencil used on its edge. Its done but I was after another look. There may be more along these lines to come!
All day I have been looking at the world thinking how could I do that in pencil? It is particularly hard when it comes to large areas of black & whiter than white highlights. How can that be done? I notice that sort of contrast on peoples faces. More pencil pending.
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